Migration


www.proteusgowanus.org
Please join us this Saturday, September 17 at 7 pm
for the opening reception of
MIGRATION
an exhibition of art, artifacts and books
Worldwide, human migration is accelerating at a pace that makes the migratory patterns of the industrial revolution look trivial.
These changes of course affect the migratory creatures with whom we share the planet: birds and beasts, microorganisms and the ideas or memes that travel like lightening across continents and, like live creatures, require care and feeding.
These migrations are the subject of the work on exhibit by the following artists:
Aileen Bassis, Meredith Bergmann, The Brooklyn Museum Libraries and Archives, Lola Bunting, Marie Cieri, Viv Corringham, Dillon de Give,  
Sarah Lederman, Portia Munson, Lance Rutledge, Randall Stoltzfus, Lorena Turner James Walsh
and,
in partnership with Reanimation Library, Ami Yamasaki.

Co-hosted by Reanimation Library and Proteus Gowanus, the reception will include a short performance by Ami Yamasaki of Tokyo,
as part of her Feather-Music Installation which travels from Reanimation Library through the Proteus spaces into our main gallery.

Saturday, September 17 at 7 pm
at Proteus Gowanus
543 Union Street (at Nevins)
Brooklyn, NY 11215
http://proteusgowanus.org/visit/

Three Brothers Set Out to Explore High-Speed Rail at a Walker’s Pace

Current MFA Social Practice Student Travis Souza’s current project, “We Make the Road by Walking” is featured on The Good.

Full story here:

http://www.good.is/post/three-brothers-set-out-to-explore-high-speed-rail-at-a-walker-s-pace/

Oregon Artist Revives Old Idea With Broadcast Classes

April Baer / OPB
“School of the Air Band” classroom ready for students.”
An Oregon artist is reviving an old idea about teaching over the airwaves. Her project is on display in Lane County this month.

Jen Delos Reyes has been thinking about the radio broadcast classes that used to be offered by some universities or other educational groups. She was specifically interested in the concept of a broadcast music class that people could use on their own, in groups, anywhere, really.

“I am inspired a lot by Alan Lomax,” she said.

Reyes tells how the famous music archivist worked in 1939 on a broadcast for an ambitious experiment, the CBS School of the Air.

“They would have a broadcast every afternoon at 2:30 that over 300,000 children would hear. Schools across America would tune in to the radio and go along with their readers that would be sent out.That went on for about eighteen years. Tuesdays were music day.”

Reyes is a professor of Art and Social Practice at Portland State University. She assembled four broadcast classes, on subjects like “Work and Play,” “Choirs” and “Union and Protest” songs.

Reyes say she wrote the broadcasts to be versatile. They can be part of a formal curriculum, or just for fun.

“Through making music together, we can learn so much about what it means to collaborate with someone, group dynamics,” Reyes said.

Ditch Projects in Springfield has an exhibition featuring all the readings and broadcasts Reyes put together.

Related links:

Episodes can be downloaded here

http://jendelosreyes.com/

Where to find Ditch:

http://jendelosreyes.com/ditch-projects-jon-cohrs-jen-delos-reyes-sara-rabinowitz

 

Story by April Baer

We Make the Road by Walking- A Project by Travis Souza

Check out this project by current PSU MFA Social Practice student Travis Souza:

www.wemaketheroadbywalking.com

From the 29th of August two of my brothers and I will be walking the entirety of the proposed California High Speed Rail route from Los Angeles, finishing in San Francisco on the 30th of September. At ground level and walking pace we will, in a way, be drawing a line across California where a variety of people, places and practices converge. We will be documenting and accumulating materials from this engagement. Since the route connects California’s largest cities through most of its agricultural and rural places the rail’s imminent construction has generated much discussion revealing the complex interconnectedness of geography, work, leisure, economics, farming, food, ecology, sustainability, urban and rural culture, and more besides. We will be spending much of our time speaking to farmers who will be effected, asking them for their hospitality in letting us camp on their land for the night.  Also, many of these issues will be addressed in public discussions and by a few others who will walk parts of our journey with us in a discourse shaped by our immediate environments/landscapes/locale.

This project is supported by Wattis Gallery / CCA as part of Harrell Fletcher’s Capp Street Project Residency.

Presentation 30 September
Friday, September 30, 2011, 7:00–9:00 pm
Timken Lecture Hall

 

If you would like to join us at any point in our walk or to join in some of our events feel free to contact us:

wmtrbw[at]gmail[dot]com

School of the Air: Band Class At Ditch Projects in Springfield, Oregon September 3- October 1, 2011

Jen Delos Reyes
School of the Air: Band Class
At Ditch Projects in Springfield, Oregon
September 3- October 1, 2011

Opening Saturday September 3rd, 7pm

Music Education by Radio Broadcast is not a new concept.  In the spirit of the former CBS School of the Air or the the University of Wisconsin’s “Wisconsin College of the Air,” among many more have inspired, School of the Air Band Class. School of the Air Band Class is a weekly broadcast focused on exploring music, social implications, collaboration, and group dynamics. Each broadcast is approximately 30 minutes in length

These four weekly broadcasts will look at group singing and social music. We will listen to songs of Work and Play, Union and Protest, Choirs and A Capella and in the last week focusing on Bands and Groups.

Through recordings, readings, and activities listeners can engage in an exploration of social music.  Weekly assignments will be given on the air that will encourage you to gather together a group to engage in these musical forms.

These readings and most albums featured on these broadcasts are available in their entireties at Ditch Projects in Springfield, Oregon from September 3- October 1st, 2011.

If you cannot make it to the exhibition, the broadcasts are available for download here for the next week:

Week 1: Work and Play
Week 2: Union and Protest
Week 3: Choirs and A Cappella
Week 4: Bands and Groups

To obtain copies of the weekly reading packets that accompany these broadcasts please contact me for pricing.

This project is part of a larger exhibition also featuring:

Jon Cohrs: Drug Machines

Sara Rabinowitz: Refuge(e)

 

 

Katherine Ball: Living on Indy Island

  • Katherine Ball, at her Indy Island home. Photo by Stephen Simonetto

When Katherine Ball arrived in Indianapolis on Aug. 8, so did the rain.

After record-setting, desiccating heat in July, Indianapolis experienced a bit of relief thanks to the showers. While weather officials recorded just under an inch of rain in Indianapolis, backyard rain gauges showed more than two inches of rain had fallen in the area around artist Andrea Zittel’s Indianapolis Island.

The White River crested at just over five feet at the National Weather Service gauge near the Indianapolis Museum of Art (IMA). That was up from three feet three days prior, not far off the record low level set in 2007 at 2.79 feet.

It was as if the influx of rain had awakened the White River from a lazy summer’s slumber to welcome the IMA’s latest Indianapolis Island resident.

Katherine Ball arrived in Indianapolis by bus — she prefers not to fly — then immediately left the city the next morning to seek out, as if on a pilgrimage, the source of the west fork of the White River, a place accessible by car, or in Ball’s case, by bicycle.

Reengineered as a drainage ditch on a Randolph County farm field, this section of the river launched the beginning of Ball’s journey into her IMA project titled No Swimming. Before she headed downstream, she collected a water sample to carry with her to the Island, testing for phosphates, nitrates and water hardness.

Biological solutions

Ball’s journey to Indianapolis is as meandering and circuitous as the White River itself. She spent last year cycling with four other people across the United States to produce a documentary about community solutions to climate change. On that trip, she interviewed scientists, including mycologist Paul Stamets, who uses mushrooms to filter water.

Having learned about the Indianapolis Island six-week artist residency from her art teacher Jen Delos Reyes, assistant professor at Portland State University’s Art and Social Practice program, Ball reveled in dreams of living on a little island in a lovely lake surrounded by a beautiful forest and swimming every day. This is not surprising given that she spent her youth swimming in Lake St. Clair, a body of water connected with the Great Lakes System just outside of Detroit.

“It was such a nice thing to be able to swim in the neighborhood lake,” recalls Ball. She envisioned a similar experience in Indianapolis.

“And then I found out the [Indianapolis Island] lake was polluted,” says Ball. She noted that water quality samples from the lake in April 2010 revealed E. colilevels at 428, roughly twice the Indiana state standard of 235. E. coli is a bacterial organism commonly found in the lower intestines of mammals, including humans.

Ball remembered the pioneering work of Washington State mycologist Paul Stamets, who uses mushrooms to remediate — or clean — water. She wanted to create what she describes as pseudo-scientific experiments to cleanse and heal the lake. Consequently, she put her masters of fine arts degree on hold to apply for the residency.

Given what she had learned on her bicycle trip, she wanted to experiment with solving environmental problems with biological solutions.

“It’s about trying a different approach, using a biological solution instead of a petrochemical solution. Mushrooms are one area that we should look more closely into because of how little research has been done on them,” says Ball.

Recently certified as an Indiana Mushroom Identification Expert by the Indiana State Department of Health, Eric Osborne runs Magnificent Mushrooms, a family-run business in southern Indiana. He has studied the work of Paul Stamets for more than 10 years. [see sidebar] Stamets is the author of a number of books, including Mycelium Running: How Mushrooms Can Save the World, and founder of Fungi Perfecti.

Osborne is encouraged by Ball’s project. “I believe that [Stamets] has truly instigated a paradigmatic shift in the ecological crisis. Mycelium will continue to grow, adapting to and consuming the wastes we leave behind,” says Osborne. “We can either choose to consciously ride the mycelium into the future or be left in its wake.”

  • Ball’s Indy Island has a window that faces to the south. Photo by Stephen Simonetto

Mycobooms to the rescue

Ball, 27, is staking her future with the mycelium. By the end of her first week — with help from anyone willing to lend a hand — Ball will have constructed seven 20′ long by 12″ in diameter mycobooms made from untreated, hydrocarbon-free burlap, filled with locally sourced, non-genetically modified straw from Central Indiana Organics, inoculated with mushroom mycelium spawn from Fungi Perfecti, following Stamets’ guidelines in Mycelium Running.

These will serve as floating water filtration and purification systems. As they float around the lake, Ball expects that the growing mycelium will digest the E. coli as well as remove excess phosphorus, nitrogen and heavy metals from the water.

“This is a perfect opportunity to experiment with what Stamets has been pioneering in the field of mycology,” says Ball.

Through a stipend provided by the IMA, Ball purchased two mushroom varieties from Fungi Perfecti to carry out her work, Oyster (Plurotus ostreatus) and King Strapharia (Stropharia rugoso annulata), because both are reported to have specific anti-microbial effects on E. coli and they remediate pollutants.

That’s at the heart of but only part of the work she intends to accomplish during her six-week residency, which runs from Aug. 12 until Sept. 25.

ON VIEW AT CAFE HAMMER

Harrell Fletcher, Hello Friend (Queens, NY), 2004. Video still. Courtesy of the artist.

Harrell Fletcher is currently a Hammer Public Engagement Artist in Residence. In his project, Yearbook, Harrell and his collaborator Adam Moser will document the span of an academic year at the Hammer with a yearbook comprised of the museum’s programs, staff, and visitors.

Please check the website for more details about the project and upcoming participatory events.



Where Art & Disability Meet

Portland, Oregon
July 5, 2011

There are very few people who walk through life without some form of
oppression.  *A Somewhat Secret Place: Disability and Art*, an art project
slated to show in July, illuminates this in a unique and vibrant way.
 Catherine J.H. Miller, artist and curator, has put together a show at
PRESENTspace gallery that will provide a window to this broad terrain of
human life.  Using Braille, ASL interpretors and descriptors, this will be
the most accessible art show in Portland. The Oregon Women’s Caucus of Art
is a major supporter of this because it explores the intersection of
contemporary art and disability, and proves the art world can be made
inclusive.  The centerpiece of this project is an art show featuring 37
works of art including paintings, sculpture, literature and performance art
created by artists with and without disabilities.  A writer’s workshop,
artist talks, literary readings, an ADA celebration event, and activities
for young audiences will be included.  There will be elements of hipness,
humor and cutting edge art.
Ms. Miller, who is legally blind, speaks with a passion and enthusiasm that
is infectious.  Following the exhibit, she will create a book featuring the
artists and works in the exhibition and offer her theories on contemporary
arts and disability.  Ms. Miller says, “The book and the exhibition are not
the product, or art object, of my project. Art is something less tangible
and more powerful. The ‘art’ is the conversation that the visitors and
readers will have in the gallery space and beyond. It is the interaction
between the arts communities, the disability communities, and the wider
community around words like ‘disability art’, ‘disability pride art’, and
un-named areas of artistic practice.”

Heather Zinger’s photography project Endure will be shown, which was
inspired by her sister’s struggle with MS.  The artist tied a a skeleton to
herself for one week to make the burden of living with a chronic illness
visible.  Carmen Papalia will show many pieces, including a video where he
navigated an urban space with a 14 foot mobility cane.  Yulia Arakelyn will
perform a wheelchair dance.  Artists Emelia & Jody Ramey, authors of The
Autistics’ Guide to Dating, will present new essays.  National and regional
artists will show and read work that is imbued in some way with the the “not
so secret” sense that we are all fragile and resilient at the same time.

Currently, Ms. Miller is seeking support for the project through
Kickstarter.com the largest online pledging source for artists. To purchase
tickets to the pre-opening party and support this project please
visit:  HYPERLINK
http://www.kickstarter.com/projects/owca/a-somewhat-secret-place” *
http://www.kickstarter.com/projects/owca/a-somewhat-secret-place*

Ms. Miller was born and raised here in Portland and is a 2008 graduate of
the Pacific Northwest College of Art. Her work with this show will have
lasting and national impact on how art can be presented.

*A Somewhat Secret Place: Disability and Art* exhibition will take place at
PRESENTspace, 939 NW Glisan in the Portland Pearl district from July 7th
through July 30th 2011.

*The Somewhat Secret Place Calendar of Events:**
*

*This week!!!*
*July 6, 6 pm – A Somewhat Secret Place **Post* *Hanging Party: A Preview
for Donors: *Invitations to this event will go to all those who have donated
$50 or more to the show through Kickstarter or the OWCA.  It’s a chance to
meet the artists and curator and purchase artwork in advance of the public.
*Tickets are still available if you want to donate – contact
asomewhatsecretinfo@gmail.com*

July 7, 6 pm – A Somewhat Secret Place First Thursday Public Pre-Opening
Artist Carmen Papalia will give a talk from 6 to 6:30 and then the show will
be open for those on the First Thursday walk to have a peek. *A free event!*

*July 9 – A Somewhat Secret Place Grand Opening*
Noon – 2 pm – The Grand Opening starts off with a participatory workshop
facilitated by Write Around Portland, where participants can find
inspiration in the intersection of contemporary art and disability.  *A free
event but limited to 80 people.*

*6 – 9 pm – Grand Opening Night Reception* features one-time, original
performing artists and author readings.  American Sign Language Interpreters
will be there as well as descriptors for the visually impaired.   It
promises to be the most accessible and hippest art opening in Portland
history.  *A free event with refreshments!*

July 14, 6 – 6:30 pm – Artist Talk with Andrea Rosselle, installation artist
and sculptor, whose work explores the imposition of the medical object, and
experience as a medical body, upon the act of every day living.  *A free
event!*

July 21, 5 – 6 pm – Artist Talk with Eric Ferguson: “A Wobbly Line: from
Improv to Ink and Back Again.” *A free event!*

July 26, 7 – 9 pm – ADA 21ST BIRTHDAY PARTY! The Americans with Disabilities
Act turns 21 and we are throwing a celebration to mark it.  There will be a
panel discussion on its impact, then the birthday bash with cake and drinks.
 *This is a ticketed event.  Invitations are sent to Kickstarter donors, and
at the door tickets are $21 for 2.  For discount tickets, check out A
Somewhat Secret Place Facebook  page.*

July 30, 12 -2 pm – Artist Talk and storytelling with Joy Corcoran to engage
children of all ages to explore the creative lives of people with
disabilities. *Children must be chaperoned.  A free event!*

*July 30, 6-9 pm A Somewhat Secret Place Closing Party*:
A performance by Ellie Charpentier and several author readings will
celebrate the conclusion of the exhibition.  The after-party will be a great
opportunity to mingle with the artists, writers and organizers.  *A free
event with free refreshments*

For more information or to schedule an interview,

contact Catherine J.H. Miller at  HYPERLINK “mailto:
asomewhatsecretinfo@gmail.com” *asomewhatsecretinfo@gmail.com

Constance Hockaday’s Boggsville Boatel and Boat-In Theater

July 7 – August 20, Thursdays, Fridays, & Saturdays
Marina 59, 5914 Beach Channel Drive, Far Rockaway

Artist and boat-builder Constance Hockaday has constructed a series of floating hotels and a theater at Marina 59 at Far Rockaway in New York CityBoggsville is a floating hotel and theater built in the Neutrino tradition, that is, fashioned out of abandoned and remodeled boats from the marina. Five of the vessels are leisure fishing crafts from the 70’s and early 80’s, ranging from 28 to 35 feet long. Another is a 70’s drifter houseboat remodeled into a rustic penthouse. The boats are all moored around a floating platform in the middle of a small bay.

Named for Ms. Nancy Boggs, who would move her floating brothel to either side of the Willamette River of Portland to evade the law – depending on where the authorities were bringing trouble to her business – the Boatel explores the boundaries of the hospitality experience.

Artist TJ Hospodar will man an “office of local tourism” for your perusal at the marina.

The boatel opens on July 7; rooms cost between $50 and $100 a night. It’s only open on Thursday, Friday, and Saturday nights. Tickets for the month of July will be available right here, beginning at 6 pm on Saturday, June 25.

 

-The Theater-

Each night there will be a movie or lecture themed on the water screened on the floating platform. Hotel-goers and boaters from the area are welcome to pull up alongside the platform and view the entertainment.

If you would like to attend the theater but you don’t want to rent a boat for the night, that’s great! Please bring a chair (and snacks). There are no tickets just for the screenings or lectures, but donations are welcome.

Some entertainment possibilities:

  • Random Lunacy – a documentary on the Floating Neutrinos
  • Last Free Ride – a documentary on a house boat community in the 60’s and 70’s in Sausalito, CA
  • An Extremely Long Lecture on Absolute Absolution – by Connie Hockaday
  • A documentary on Bas Jan Ader
  • Water-themed vintage porn
  • Independent shorts and Hollywood favorites, like Jaws and Water World

 

-THE BOATS-

Americano is a Guido vessel with a long sloping bow. This boat is very private. The windows are tinted and the inside is very Slick Rick. $50 a night.

 

 

CRUMB is a quaint and comfortable boat and was probably previously owned by an elderly couple. There is a private sleeping area; it’s spacious and perfect for rolling around in. She sleeps 4 people. This boat also has a shaded top deck with reclining furniture. $50 a night. 

 

 

 

New York, NY is Euro. This boat has been remodeled to be more open than she was originally designed to be. She sleeps 3-4 people, and she has a breakfast nook, a great space for preparing lunches, and a desk for the writer-ly types. $50 a night.

 

 

 

Queen Zenobia is a classy little 30-foot yacht. She can sleep 3-4 people, if they are willing to snuggle up. On this boat there is a comfortable little breakfast nook and plenty of deck space for lounging around. $50 a night.

  

 

 

 

Shamrogh is a cozy couples getaway boat. It sleeps 2 or 3 people. This boat is one of our favorites. Let’s just leave it at that. $50 a night.

 

Ms. Nancy Boggs is a rustic floating cabin. This 1967 Drift-R houseboat has been remodeled into down-home love nest. This boat can sleep 6 people. There are two beds, one of which can fit 5 people. It is the perfect place to roll around with more than one or two. It has a spacious breakfast nook and several decks for sun bathing, fishing, or picnicking. $100 a night.

Helen Reed Long Listed for Sobey Award

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2011 Long List Announcement

April 15, 2011 – HALIFAX, NS – The Art Gallery of Nova Scotia and the Sobey Art Foundation are pleased to announce the long list for the 2011 Sobey Art Award, Canada’s pre-eminent prize for contemporary Canadian art. Following a three-month nomination process, the Curatorial Panel has announced the 25 artists vying for this year’s Award.

“The Sobey Art Award offers a wonderful opportunity for dialogue about the currents in Canadian contemporary Art. From the diversity of practice and place in this year’s longlist we can see how vibrant Canada’s arts community truly is. “

– Sarah Fillmore, Chief Curator, Art Gallery of Nova Scotia and Curator, Sobey Art Award.

 

The 2011 Long List 
 

Atlantic:
Zeke Moores
Kym Greeley
John Haney
Michael Flaherty
Becka Viau

Quebec:
Jérôme Havre 
Chris Kline 
Emanuel Licha 
Nadia Myre 
Manon De Paw 

Ontario:
Aleesa Cohene
Christian Giroux and Daniel Young
Derek Sullivan
Gareth Long
Josh Thorpe

Prairies and the North:
Denton Fredrickson 
Sarah Anne Johnson  
Dave and Jenn  
Wally Dion  
Dominique Rey

West Coast:
Sonja Ahlers 
James Nizam 
Helen Reed 
Charles Stankievech 
Joseph Tisiga 

The shortlist for the 2011 Sobey Art Award will be announced in May 2011.

Selected work by the shortlisted artists will be featured in an exhibition at the Art Gallery of Nova Scotia, on view from September, 17 2011 to January 8, 2012. The winner will be announced during a Gala event at the Art Gallery of Nova Scotia on October 13, 2011.  The 2011 Sobey Art 

Award Curatorial Panel consists of: 
Bruce Johnson, Curator at the Rooms Provincial Art Gallery
Gaëtane Verna, Director and Chief Curator, Musée d’art de Joliette
Marnie Fleming, Curator of Contemporary Art, Oakville Art Galleries
Ryan Doherty, Curator, Southern Alberta Art Gallery
Mary Bradshaw, Gallery Director, Yukon Arts Centre

About The Sobey Art Award
The Sobey Art Award, Canada’s pre-eminent award for contemporary Canadian art, was created in 2002 by the Sobey Art Foundation. It is an annual prize given to an artist under 40 who has exhibited in a public or commercial art gallery within 18 months of being nominated. A total of $70,000 in prize money is awarded annually; $50,000 to the winner and $5,000 to the other four finalists. Since its inception, the Sobey Art Award and accompanying exhibition have been organized and administered by the Art Gallery of Nova Scotia. The Sobey Art Award acknowledges the important contributions of our exclusive media partner Bravo.

About Bravo!
Bravo! is an oasis in the television landscape where viewers make a regular appointment with the arts. Whether it’s a classic opera, an art documentary, a performance in the Concert Hall, or a cutting-edge film, Bravo! gives viewers an opportunity for enriching and thought-provoking experiences. Make an appointment with the arts each night on Bravo!. Bravo!, is a division of Bell Media Inc. Canada’s premier multi-media company.

 

-30-

 

For information:
Bernard Doucet | Director of Development | Art Gallery of Nova Scotia 
902 424 0073
doucetbj@gov.ns.ca
www.artgalleryofnovascotia.ca

 

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