Letter From the Editors

Something that seems to connect us all as artists is our ability to bring our own personal histories and experiences into our work. This ensures that no two of our practices are the same; each is based on a unique perspectives, 

This collection of interviews explores the people, places, and projects that have had an impact on our own practices. 

Many of us have found our own families to be sources of knowledge and inspiration, alum and current students alike. Multiple alumni have done projects with their families over the years such as Salty Xi Jie Ng’s ongoing project, Grandparents Residency, which she describes as “Creating a myriad of experiments with grandparents as site, I explore coming-to terms with their mortality.” In the current issue, Gilian Rappaport interviews their aunt about her art practice and Luz Blumenfeld talks to their mom about the parallels between her work in psychoanalysis to their art practice and Olivia DelGandio speaks with her dad to channel her dead grandma.  

Several students chose to interview artists they admire in this issue. Clara Harlow talks to artist Ross Carvill about his illustration practice and Adela Cardona interviews Limei Lai, a multidisciplinary artist and curator.

Last fall, we dedicated an entire journal issue to interviews with program alumni and even when that isn’t the case, our relationship with program alumni stays strong. This fall, Nina Vichayapai interviews alum Amanda Leigh Evans about her project, The Living School of Art. 

Manfred Parrales chose to speak with another student, Midori Yamanaka about their shared experiences, and she reached out to the founder of an artist residency program in Japan. Our connections reach far and wide. 

Each term, each issue of this journal, we get the opportunity to gain insight into our own practices by sharing space and time with others in the interview format. While we see many connections between interview subjects throughout the years, no two are the same. We hope you enjoy the latest issue of the Social Forms of Art Journal.


Your SoFA Journal Editors: Luz Blumenfeld and Olivia DelGandio

The Social Forms of Art (SoFA) Journal is a publication dedicated to supporting, documenting and contextualising social forms of art and its related fields and disciplines. Each issue of the Journal takes an eclectic look at the ways in which artists are engaging with communities, institutions and the public. The Journal supports and discusses projects that offer critique, commentary and context for a field that is active and expanding.

Created within the Portland State University Art & Social Practice Masters In Fine Arts. Program, SoFA Journal is now fully online.

Conversations on Everything is an expanding collection of interviews produced as part of SoFA Journal. Through the potent format of casual interviews as artistic research, insight is harvested from artists, curators, people of other fields and everyday humans. These conversations study social forms of art as a field that lives between and within both art and life.

SoFA Journal
c/o PSU Art & Social Practice
PO Box 751
Portland, OR 97207