SEASON 2: Mass Incarceration
For its second season of public conversations, the Portland State Social Practice Talks public conversation series has focused on various aspects of the prison-industrial complex in the United States. These talks have ranged from artists to reform advocates, playwrights to curators, all engaging with, challenging, and questioning the role of prisons in our society. The conversations serve as a form of public research in relation to an ongoing project at the Columbia River Correctional Institution. The goal is learning how different people approach contact with the corrections system, and the potential role of art in this context. The conversations were held publicly at the Portland Institute for Contemporary Art.
This week we are joined by Sherrill Roland. The full conversation can be heard here.
Sherrill Roland is a returning student entering his thesis and final year of my Master’s in Fine Arts at UNCG. He started a few years ago before his world turned upside down. In October 2013, Sherrill went to trial and subsequently lost, and 11 months later he was released from state prison in Washington, DC. Almost a year and a half after being released, he was exonerated of all charges and granted a bill of innocence.
The Jumpsuit Project is a socially engaged art project conducted at UNCG during the 2016-17 academic year to raise awareness about issues relating to incarceration.
The Social Forms of Art (SoFA) Journal is a publication dedicated to supporting, documenting and contextualising social forms of art and its related fields and disciplines. Each issue of the Journal takes an eclectic look at the ways in which artists are engaging with communities, institutions and the public. The Journal supports and discusses projects that offer critique, commentary and context for a field that is active and expanding.
Created within the Portland State University Art & Social Practice Masters In Fine Arts. Program, SoFA Journal is now fully online.
Conversations on Everything is an expanding collection of interviews produced as part of SoFA Journal. Through the potent format of casual interviews as artistic research, insight is harvested from artists, curators, people of other fields and everyday humans. These conversations study social forms of art as a field that lives between and within both art and life.
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