CASP – Begumpur Community Engagement Program (C-BCEP) is an initiative in New Delhi which focuses on the community histories and cultural practices of this urban village, while facilitating art education workshops. The Begumpur Balwadi is housed in a two storey Basti Vikas Kendra building which is the property of Delhi Development Authority. Children and young adults follow a non-formal curriculum and are imparted training in tailoring, computer, and other soft skills. Over the last 23 years, the Balwadi program has benefited the community through a range of summer workshops and educational camps. C-BCEP collaborates with the Balwadi program to run transdisciplinary workshops for practice-led thinking, artistic ideas and open knowledge.
Two artists, Nilanjana Nandy and Anni Sharan, facilitated two workshops in the Basti Vikas Kendra, focusing on questions of gender through popular representations in children’s books, fairytales and everyday objects.
1. Little Mermaid Project | Nilanjana Nandy | Age Group of Children: 5-8 years and 9-12 years / 2 days
This workshop involved representations of a mermaid in children’s books and fairytales. The children identified this half-human/animal representation as Jalpari (Hindi word for water fairy). Through simple indirect means and play, the children were induced to draw representations of Jalpari and articulate on the connections between the word and drawn image. Consisting of both young boys and girls, the workshop gently introduced conceptions of gender and fantasy, while allowing them to discuss colour, form, postures and sea life. Examples of this hybrid female form from Indian classical and folk art were shown to introduce visual examples through art history – Matsya Avatara (Lord Vishnu in Indian temple sculptures) and Matsakanya (Madhubani folk art).
2. Gendered Objects Project | Anni Sharan | Age Group of Children: 13 -16 years / 2 days
The workshop explored questions about everyday objects in daily life and how they develop gendered attributes. Through visualization exercises and collection of found objects, the discussion involved storytelling in Hindi and to identify five gendered objects through doodling, drawing and text. The second level (Me and my Object) was photographing each child with their own found object which they consider masculine or feminine. The third level involved a walk in the informal neighbourhood headed by a volunteer. This was a visual tour of the urban village and involved making quick sketches, scribbles and notes of the urban markers of development and makeshift housing, while locating attributes of gendered objects in the public space.
These community based workshops was organized by CASP – New Delhi chapter from June 26-29, 2015
The Social Forms of Art (SoFA) Journal is a publication dedicated to supporting, documenting and contextualising social forms of art and its related fields and disciplines. Each issue of the Journal takes an eclectic look at the ways in which artists are engaging with communities, institutions and the public. The Journal supports and discusses projects that offer critique, commentary and context for a field that is active and expanding.
Created within the Portland State University Art & Social Practice Masters In Fine Arts. Program, SoFA Journal is now fully online.
Conversations on Everything is an expanding collection of interviews produced as part of SoFA Journal. Through the potent format of casual interviews as artistic research, insight is harvested from artists, curators, people of other fields and everyday humans. These conversations study social forms of art as a field that lives between and within both art and life.
Sponsored by the Portland State University Art and Social Practice MFA Program