In 2015, I spent the day as the honorary mayor of Rochester, Minnesota. Ephemera and a video of my day shadowing Mayor Ardell Brede around the city were exhibited later that year in the Rochester Art Center. We started in his office, attended a baseball game, and visited the world renowned Mayo Clinic shaking hands and taking selfies along the way. Rochester’s city government functions as a Council–manager government, in which the mayor is largely a ceremonial title. Phoenix, Arizona is the largest city in the United States to retain council–manager government. Although, Brede’s actual power was limited, his influence was incredibly substantial. His face was plastered all over the baseball stadium and in the game’s program. Kids waved from across the street. Executives from clinic stopped to chat him up. A figurehead for the government. Seemingly, the only power he had was reversing my parking ticket I got at the Rochester City Hall. There’s a fine line between influence and actual power.
Chris Cloud is an artist, curator, and cultural developer. When Cloud isn’t cultivating projects and businesses, he is the Marketing Creative Director at Meow Wolf, an arts and entertainment group in Santa Fe, New Mexico.
The Social Forms of Art (SoFA) Journal is a publication dedicated to supporting, documenting and contextualising social forms of art and its related fields and disciplines. Each issue of the Journal takes an eclectic look at the ways in which artists are engaging with communities, institutions and the public. The Journal supports and discusses projects that offer critique, commentary and context for a field that is active and expanding.
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