Student

Xi Jie Ng (Salty)


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Xi Jie Ng (Salty) from Singapore creates intimate encounters for a noisy world. Her works dance between social practice, film, performance (often as Pierrot), installation and writing, and have been made and presented in Singapore, USA, Finland and India. She is interested in art as a universe suspended between fiction and reality, eccentricities, ageing, family histories, circus, old and found objects, alternative communities, and exploring connections between people, space and cosmos. Last year, her first feature film Singapore Minstrel premiered at the 26th Singapore International Film Festival. Based between Singapore, Portland and the elsewheres of the world, she invents experiences for the real and imagined lives of humans.

Visit saltythunder.net


Bindi Roadside Spa

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Migrant workers in Singapore shuttle from worksites to cramped living conditions and crowded weekend hangouts. With a limited income, grooming and self-care are largely restricted to necessities. Bindi Roadside Spa, commissioned by Octopus Residency, is an alternative pop-up space of pampering and care for migrants. The natural facials are made with foods commonly used by South Asian migrants, featuring turmeric as a star ingredient, or respond to needs such as sun exposure due to work. The Singapore Association of the Visually Handicapped’s mobile massage team was also engaged provide head/neck massages and foot reflexology. By creating conversations around wellness and relaxation, it is hoped that migrants and those around them will place more value on self-care in a relentlessly busy society.

Visit bindiroadsidespa.weebly.com


Singapore Minstrel

Film, 87 mins, 2015

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Roy Payamal is the wildest busker of a country ranked the world’s most emotionless society. An old-time pioneer of the local scene, dubbed ‘Silver Man’, he creates mind-boggling acts, taking his undermined profession as a serious art- but is his faith impossible idealism or an admirable conviction?

Unraveling the nation’s bureaucratic reaches, a discourse on culture and expression plays out, co-starring Roy’s eccentric street colleagues. Flowing kaleidoscopically from interviews and fantasy sequences, to Roy’s handphone footage of his everyday life, Singapore Minstrel is an invitation into his beautiful mind, a magical, trying universe where art and life dialogue in a tropical dream.

Visit singaporeminstrel.com


Sab Kuch Milega

Collaborative film, 16 mins, 2016

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This whimsical and poetic tale of a circus visiting a village was dreamt up with people in rural Jodphur, India at the Sowing Seeds residency. Shot in three days on an old camcorder and using available materials, the film has a raw make-believe aesthetic. With a concept that further developed as relationships grew and ideas sprung up, villagers were cast as characters they created, in an invented world moulded into real, everyday spaces. Led by a Clown performed by me, the circus meets Grandma, Manisha, and Tarzan, dancing their way to the moon and back. The film shines a soft beam into its collaborators’ cosmic inner selves, reflecting on their ethereal connection with the dry and vast Rajasthani landscape.

Watch video here


 

Anupam Singh

Anupam Singh is an artist interested in the interconnections between ecological and cultural sustainability. For over 15 years, he has worked as facilitator, mediator, educator, and collaborator engaging in ideas of inner and outer ecologies. Through workshops and talks in India, he introduced art to children and teachers from public schools and district council schools, professionals, senior citizens and students of visual arts, social work, design, and science streams. He has contributed as guest faculty in various institutions including the Industrial Design Centre – IIT Bombay, and has facilitated innovative public exchanges in his practice and teaching.

Prior to his MFA in Art & Social Practice, Portland State University,  he studied printmaking in India for his BVA (1997) and MFA (1999) at Rabindra Bharati University  and M.S. University respectively. His practice evolved across printmaking, painting, installations, pedagogy, social projects and public art interventions. In 2013, he founded the Centre for Arts and Social Practice (CASP) which works through four chapters in Navi Mumbai, Kolkata, Pune and New Delhi (India). A non-profit entity,  CASP facilitates workshops, conversations, film screenings, community partnerships and socially engaged projects.

He has had a solo exhibition and showcased his work through group exhibitions in galleries, research platforms, and public spaces including the Pune Biennale (2015, India). His interests include working with rural and urban farmers and safe farming technologies.

 

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Spencer Byrne-Seres

Spencer Byrne-Seres is an artist, preparator and culture-worker based in Portland, Oregon. His activities range from woodworking and custom fabrication to administrative and curatorial project management for museums, non-profits, commercial galleries, colleges, small alternative spaces and for himself.

 

Spencer makes research-based and socially-engaged projects that look at the intersection of broad systems with the daily and the personal. Spencer is interested city infrastructure, international time standards, and submarine cables. These often opaque or invisible structures allow us to connect, and inform how we think about and move around to built environment.

 

Spencer recently published a book of Yelp reviews about Herman the Sturgeon, a 70 year old white Sturgeon held in captivity at the Bonneville Fish Hatchery. That work coincides with his quarterly news letter Sturgeon Paper, which investigates fishing related topics in the Northwest. He has also found new purpose as an canvasser, surveying his neighborhood about their opinions on art, and asking artists to envision an artist utopia.

 

For more info: spencerbyrne-seres.info

 

He recently made an experimental documentary with Roz Crews:

 

 

Writing about convenience stores:

 

And making bootleg Oblique Strategy cards